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This is a three-dimensional representation that merges the iconic Aquaman of DC Comics with the unmistakable style of cartoonist Don Martin, famous for his contributions to MAD Magazine and his hyperbolic, humorous depiction of onomatopoeic sound effects. The figure captures the King of the Seas in a dynamic and comical scene, where his aquatic powers are amplified by graphic lettering and visual elements typical of "Martin-style", such as "SPLOOSH!", "GLUB!" or "KER-SPLASH!" that appear to jump three-dimensionally from the composition.
This is a three-dimensional representation of Chocola (also known as Sangria in some adaptations), the teenage and adorable daughter of Count Don Dracula, created by Osamu Tezuka for the 1980s manga and anime series of the same name. The figure captures the unique duality of her persona: a classic vampire with cute and innocent traits typical of Tezuka's style, who lives between her father's dark world and her own desires for a normal, sweet-filled life.
This is a three-dimensional representation of the iconic Don Dracula (ドン・ドラキュラ), the title character of the horror-comedy manga and anime created by Osamu Tezuka in 1979. The figure captures the distinctive look of the modernized Count Dracula: an elegant, dramatic, and often comedic vampire who tries to balance his aristocratic immortality with the challenges of family life and finances in the 20th century.
This is a representation of the collectible sticker "Don Martin Noise Maker", a direct tribute to cartoonist Don Martin's work as the "absolute king of sound effects" in MAD Magazine. The featured item, originally seen in MAD Super Special #23 (circa 1977), is a sticker that likely features one of his classic inventive onomatopoeias (like "SPWATCH!" mentioned in the post), encapsulating in sticker form the visual and sonic humor that defined an era of the magazine.
This is a three-dimensional representation of the iconic cover of MAD Magazine #134 (April 1970), featuring Alfred E. Neuman — the magazine's eternally carefree mascot — wrapped in a giant fur coat, with the tagline “Why worry about the future of our environment? I’ll be wearing a fur coat!” The piece captures with acid humor and visual satire the critical and irreverent spirit of MAD, which even at the turn of the 1970s was commenting on ecological issues with its characteristic irony.
This is a three-dimensional representation of the 2024 Barnes & Noble special cover for "MAD: Treasure Trove of Trash Vol. 8", a commemorative edition celebrating the anarchic humor and hyperbolic visuals of the legendary magazine. The figure captures Alfred E. Neuman in a contemporary and luxuriously satirical version, adorned with a "trash treasure" crown — a mix of glittering jewels and iconic disposable pop culture objects — symbolizing the publication's spirit: turning triviality into art, and cultural trash into humor treasure.
This is a three-dimensional representation of a classic Don Martin visual gag published in MAD Magazine, satirizing the film Star Trek II: The Wrath of Khan. The scene depicts a panicked Captain Kirk ordering Spock to convince a Vulcan female crew member not to wear a light T-shirt because her "Vulcan anatomy is rattling the rest of the crew!". The figure captures the essence of Don Martin's absurdly literal and physiological humor: the Vulcan woman is portrayed with a completely normal silhouette, but with two pointed and prominent breasts drawn as rigid cones under the T-shirt, while Kirk's exaggerated reaction and Spock's trademark impassive logic complete the comedic scene
This is a three-dimensional representation of Robert Crumb's eccentric and psychedelic creation, the master of American underground comics. "Bearly Wearzies" (or "Poorly Dressed Bears") encapsulates Crumb's unmistakable style: anthropomorphic figures, exaggerated expressions, dense linework, and sharp satire of society, sexuality, and pop culture. The figure captures a humanized bear in sloppy clothing, a slouched posture, and a gaze that mixes disdain, existential fatigue, and dark humor.
This is a three-dimensional representation of "Flakey Foont", the most famous and self-reflective alter ego of Robert Crumb. Flakey personifies the neurosis, male insecurity, and obsessive self-indulgence that Crumb explores with acid humor and brutal frankness in his stories. The figure captures Foont in his melancholic and self-aware essence: slouched shoulders, an expression of existential perplexity, sloppy clothing, and the posture of a man eternally tormented by his own desires and failures.
This is a three-dimensional representation of "Fritz the Cat", the most iconic and commercially explosive character by Robert Crumb. Fritz is an anthropomorphic cat, a sly, hedonistic creature constantly in pursuit of sexual, philosophical, and psychedelic adventures, who became the symbol of the rebellion, excess, and quest for freedom of the 1960s hippie generation. The figure captures his charmingly corrupt essence: a relaxed posture, a smart and cynical gaze, a cigarette dangling from the corner of his mouth, and an attitude that blends intellectual curiosity with pure carnal appetite.
This is a three-dimensional representation of "Jimmy the Jeep", one of the most curious and fetishistic creations of Robert Crumb. Jimmy is not a human or animal character, but an anthropomorphic military jeep, equipped with expressive eyes, a radiator that resembles a smile or a grimace, and a stubborn, obstinate personality. The figure encapsulates Crumb's obsession with vintage machinery, post-war American culture, and the idea of giving life and soul to inanimate objects, while simultaneously satirizing the male fascination with vehicles and mechanical power.
This is a three-dimensional representation of "Miss Bird", one of the most surreal and psychologically charged creations of Robert Crumb. Miss Bird is an ambiguous and disturbing character: an anthropomorphic egg with feminine features, disproportionately large eyes, thin legs, and an elegant hat, embodying anxiety, vulnerability, and sexual obsessions in a grotesque and fascinating way. The figure captures her fragile and absurd essence: a presence that is simultaneously comical, tragic, and deeply unsettling.
This is a three-dimensional representation of the legendary "Mr. Natural", the bearded, cynical, and profoundly iconoclastic guru created by Robert Crumb. Mr. Natural is a biting satire of spiritual gurus, authority figures, and the search for meaning in a hypocritical society. The figure captures his imposing yet absurd presence: a robust body, long disheveled beard, bowler hat, round glasses, and an expression that mixes feigned wisdom, existential weariness, and a penetrating gaze of disdain.
This is a three-dimensional representation of the legendary "Mr. Natural", the bearded, cynical, and profoundly iconoclastic guru created by Robert Crumb. Mr. Natural is a biting satire of spiritual gurus, authority figures, and the search for meaning in a hypocritical society. The figure captures his imposing yet absurd presence: a robust body, long disheveled beard, bowler hat, round glasses, and an expression that mixes feigned wisdom, existential weariness, and a penetrating gaze of disdain.
$ 130,00
Robert Crumb’s Squirrely the Squirrel Collectible Figure: Underground Psychedelic Squirrel 3D Art
This is a three-dimensional representation of "Squirrely the Squirrel", one of the most peculiar and charismatic creations of Robert Crumb, the icon of American underground comics. Squirrely is an anthropomorphic squirrel that embodies the nervous energy, urban paranoia, and absurd humor characteristic of Crumb's universe. The figure captures the character in his essence: wide-eyed, exaggerated gestures, and an expression that oscillates between manic curiosity and comedic despair.
This is a three-dimensional representation of "The Snoid", one of the most anarchic, acidic, and politically charged creations of Robert Crumb. The Snoid is a short, stocky, and grotesquely expressive creature that embodies the spirit of nihilistic rebellion, subversive black humor, and fierce criticism of authority, consumerism, and social hypocrisy that marked the peak of 1960s counterculture. The figure captures its disruptive essence: a compact body, wide and malicious eyes, a smile full of sharp teeth, and a posture that exudes chaotic energy and contempt for conventions.

















